![]() He enlisted three cameramen from Damascus whom he communicated with remotely. The documentary’s look is all the more impressive because Fayyad himself was unable to enter Al Gouta and The Cave due to the military presence surrounding the area. Another shot simply captures the still landscape with yellow dust hovering over it. There are long tracking shots through the caves, as well as an exterior shot of the not-so-distant landscape as missile after missile lands, sending clouds of dust into the air. Unobtrusive when they need to be, the cameras also deliver moments of great flair. The cave movie 2019 full#But above all, she continues treating children who arrive at The Cave, some of them with their mouths full of rubble and others with bleeding head wounds following missile attacks.Īll of this is caught with extraordinary visual grace. The mother says she cannot earn money to feed them because men won’t let her get a job, and during the car ride back to the hospital Amani explodes in anger at such patriarchal idiocy. On another afternoon, she and some colleagues make a house call to a mother and her four malnourished children. Amani and other hospital workers go out to look at the sky, asking each other if Russian warplanes are approaching. Without a hint that his cameras are there, Fayyad stands back and lets these scenes speak for themselves, which they do eloquently. The cave movie 2019 professional#When she talks on the phone to her family, her own father warns her that as a woman she will never get the professional respect she deserves. We see how ingrained sexism is in the culture, and that resisting it is a daily challenge for her, no matter how well-meaning her supporters. Amani has been elected to her position by her colleagues, twice, and is very good at her job.Īmani and Salim get along, but her face falls in silent disappointment when he steps in here. Salim steps in, informing the patient’s husband that Dr. Amani says a man couldn’t have gotten medicine into the town, either, but then Dr. In one early scene, a man berates her because his wife does not have medicine, blaming it on the fact that a woman is running the hospital. She is the hospital’s manager as well as a physician. Amani is the film’s undoubted heroine, though, and she adds a layer of feminist outrage. Salim, and a woman nurse called Samaher, whose struggle to remain upbeat is conspicuous and heart wrenching.ĭr. Her colleagues include a terse but devoted male doctor named Dr. Amani says she has not left the town in six years. But because the region has been surrounded by military forces, supplies and medicine are scarce. As the cameras travel thorough the dark tunnels into cramped treatment rooms, we see that the hospital is professionally equipped with incubators and operating equipment. The underground hospital was created after indiscriminate attacks kept damaging the above-ground hospitals in the town of Eastern Al Gouta. A kind of counterpart to Last Men, the new film is perhaps more wrenching and even more ambitious in its visuals. Fayyad and his cinematographers and editors wield the cameras and shape the scenes in the documentary so beautifully that The Cave is both intensely real and a carefully wrought work of cinema. ![]()
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